Bac Général
Classe : Terminale
Centre d’examen : Métropole Candidat libre
Matière : LLCER Anglais monde contemporain
Année : 2021
Session : Normale
Durée de l’épreuve : 3 heures 30
Repère de l’épreuve : 21-LLCERANMCME2
L’usage du dictionnaire unilingue non encyclopédique est autorisé.
La calculatrice n’est pas autorisée.
Synthèse 16 points
Traduction ou transposition 4 points
SUJET 1
Le sujet porte sur la thématique « Environnements en mutation ».
Partie 1 (16 pts)
Prenez connaissance du dossier proposé, composé des documents A, B et C non hiérarchisés et traitez en anglais le sujet suivant (500 mots environ) :
Say what the documents show about the way in which women’s experience of city life shapes their vision of cities, and about the role that women can and want to play in redesigning urban space.
Partie 2 (4 pts)
Traduisez en français le passage suivant du document A (l. 1-7) :
While sprawling metropolises cannot simply be razed and rebuilt, a number of measures can be taken to make streets feel safer and to keep women more secure when moving around the city. And more than ever, women are being consulted in planning new urban developments.
In 2013, Kalpana Viswanath co-founded SafetiPin, an app that aims to help women stay safe by letting users rate streets and areas for safety criteria such as lighting, visibility, people density, gender diversity, security and transportation.
SUJET 2
Le sujet porte sur la thématique « Relation au monde ».
Partie 1 (16 pts)
Prenez connaissance du dossier proposé, composé des documents A, B, C et D non hiérarchisés, et traitez en anglais le sujet suivant (500 mots environ) :
Say what the documents reveal about the complex relationship between the American and Chinese film industries. Pay particular attention to their strengths and weaknesses in the competition between the two countries for global economic and cultural dominance.
Partie 2 (4 pts)
Traduisez en français le passage suivant du document B (l. 4-10) :
But Hollywood has long since abandoned that role. Indeed, not since the end of World War II have the studios cooperated with Washington in furthering the nation’s ideals.
Instead, the relationship today is purely commercial—on both sides. For example, Hollywood frequently enlists Washington’s help in fighting piracy and gaining access to foreign markets. But even while providing that help, Washington refrains from asking Hollywood to temper its more negative portrayals of American life, politics, and global intentions.